![]() ![]() Mansell can write great action music when allowed - skip this one and wait for his next effort. As a side note, the Mansell-mixed Nine Inch Nails song at the end of the album sounds like they finally added vocals to the hour-long rock song that had played throughout the entire score. ![]() Unfortunately, the score for Doom was probably the requested sound from the filmmakers. After Sahara, which was one of my favorite action scores this year, I was looking forward to Mansell\'s next work. Generally, this style works for the film, but on album, it is not engaging. Reminiscent of PC games soundtrack from the 80s. Minimalistic electronic track with bold beats, syncopated synthesizers, dancing bells, and jangly guitars. Download MP3 The Sound Of The Bells by Victor Manuel Navarro. ![]() The cues that are not action-based are generally filled with ambient electronics. Great soundtrack for extreme video, ultimate fighting championship or other media projects that needs a high impact rock backing. It\'s not thematic action music like some of Zimmer\'s late 1990\'s work, but aimless game play rock. There is some use of brass ("Olduvai/Facing Demons"), but the majority of the music is synth. This music is loud and sounds like an instrumental rock concert. Varese Sarabande\'s album release is just over an hour and honestly, it\'s a bit too much. His latest project for the video game play-based film Doom continues his foray into this genre. Clint Mansell exploded into the action genre with the Dirk Pitt adventure Sahara. ![]()
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